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I seek out times and places where I become aware that the words I have do not apply. The Irish call them thin places: suddenly something that might be called grace shows through and the world is both strange and intimate. I have found this in a 40 year love affair with a remarkable woman, my  daughter, the tricks of light and season which mark time passing, meditation, motorcycle touring, kayaking on the Mississippi…

-I suppose I should introduce myself; I am  a psychologist by trade, though I have done many other kinds of work (including bartender and brakeman). My writing has developed from the discovery of how often my mind goes out of tune, one part with another and  I become impatient, going into private conversations with myself, forgetting to experience the world. And  then from time to time I walk in the woods, while the play of light and water amaze me and it seems like I am on the verge of understanding the language of birds. – I say to myself, “Has this been going on all along?”

Perhaps I am the only one who feels this, but I don’t think so.  I write to express a sense of delight and wonder with the hope that other people might also be reminded of the things beyond words which sustain us.

Some God  or Goddess created this terrifying and beautiful world to make it impossible to come to conclusions.  That is how She tricks us into opening our hearts.

I have a PhD in clinical psychology and an MFA in creative writing. When I was younger  I had a fantasy that I would be able to write and do clinical work  at the same time. – It turned out I did not have that ability to manage time. So, rather far along in life I have ended up with a number of projects nearly done. or on the way. And some sense of urgency about realizing them.  

I also have a blog devoted to things that create delight and wonder.

Love in Time

 

( manuscript dealing with sexuality and relationships, weaving together “cases, stories and myths )

Preface 

The erotic instinct is something questionable, and will always be so no matter what human laws are made about it. It belongs on the one hand, to our original animal nature, which will exist as long as we have an animal body. On the other hand, it is connected with the highest forms of spirit. But it blooms only when spirit and instinct are in harmony. —CARL JUNG

I say that male and female are cast in the same mould: save for education and custom the difference between them is not great. In The Republic Plato summons both men and women indifferently to a community of all studies, administrations, offices and vocations both in peace and war; and Antisthenes the philosopher removed any distinction between their virtue and our own. Montaigne

 If you look closely at an  M.C. Escher print, you see confusion. Each element makes sense, but not together. And everyone seems calm. But, looking on, you want to ask, “Don’t these people see that they are living in an impossible world”? At any moment someone may fall on their head or vanish into a space that cannot exist. However, they continue to play music or doze. And one supposes that even when someone turns a corner and vanishes entirely, the rest do not glance up.

But we too live in impossible worlds; with our minds wanting opposite things, our souls on vacation, and our bodies taking in information that they don’t tell us about (or at least we don’t listen).

Like the men in Escher’s print, we walk about pretending that nothing unusual is happening. And then comes a sudden eruption of the impossible and absurd. We find out that our mild, seventy five year old neighbor has run off with the church secretary, or a colleague has embezzled a million dollars and spent it on prostitutes and hashish. Or perhaps you find yourself obsessing about some young woman who serves coffee, and has the loveliest bosom. And you say “What is this about?” You don’t even know her.

We are strange and composite. One suspects that we were designed by some kind of committee of angels, well intentioned, but compromising, and rushed to get the job done.

There is no stronger proof or demonstration of this puzzling, impossible nature than our erotic life. Time and again, people do things that defy logic and experience. Women stay with men who drink and abuse them. Middle aged men take up with women younger than their daughters, abandoning family and career to walk about in sandals, with dyed hair on  faraway beaches. Can there be any doubt about where that will end? Why not just hurl yourself off a building? It would be less painful.

The Greeks saw love as a kind of madness. They were right and wrong; both at the same time. They were right that we do impossible things when we feel erotic emotion. But what they missed is that the impossibility was there all along. As in the Escher print, each little corner of our lives seems perfectly normal. But if you look closely the illogic and impossibility is dyed through. Now and then there is a turning which makes your mind reel.

Human emotion is like what the philosopher Wittgenstein called a city that has no map; something that cannot be known “from above;” only discovered by patiently walking through this way and that over and over. (He was, of course, not talking about places you find in an atlas).

Of emotions, particularly our erotic lives whatever you can say is false is also true. For some, a lover may be a still point, a center. All of the bends and turns of the impossible world lead to her. Dante wrote of this and how Beatrice saved his life. One may ask, when we are not under the spell of his Commedia (or our own loves), how can this be?  How can this one or that, a human female (or male), like oneself, lead to anything other than a roll in the hay. How does one get from the shapely figure, the sparkling eye, to God? Dante’s poem still moves us. And some will say they have experienced something like it. But if you try to map it upon what you know of the world it makes no sense.

How is it possible that as I get older, I know less and even the familiar becomes strange? I used to think I knew what love was, and what the world contained.  But my experience does not fit my ideas. Here I am, in my sixties: I should begin packing for the journey to the other side, but nothing fits. Whatever ideas I want to pack, hang over the edges and the lid won’t close.

For instance, I realized one day what a curious thing it was that after 40 years, I was very much in love with my wife. It is not a matter of companionability, or comfort.  We are in love. It is not supposed to happen. Yet, there is still the longing, sometimes sharp and sudden, in the middle of the day. There is still the sense of absurd good fortune.

At times I feel like a little child who has stolen an extra dessert from God’s table, and She had not noticed. -I sit in the shadow of a big oak tree, savoring what I have stolen and wondering how I got away with it. Then the Grand Lady strolls out from between the trees, and smiles, saying, “What a fine weather we are having.”

As a psychologist I know about habit and boredom. Whatever is repeated loses interest. Whatever one possesses becomes background to new and shifting desires. Couples become companionable over time and there are studies to prove it.

Yes, it is said that either desire fades and is put aside, or it becomes an addiction, needing more and desperate measures to produce less effect. Psychologically speaking the legend of Don Juan (who you will meet later in this book) is an absurd wish-fulfilling dream. In real life, long before the total of conquests reaches “1005” the seducer is desperately trying to escape boredom and despair.

Reflecting on these things has been like opening a basement door in a house where I have lived for years, expecting to find a room of no particular interest; yet I find that door opens into a plaza where there is a bazaar in a city both familiar and strange; a place of exotic spices and perfumes. There is an intense azure sky, which recalls the endless summers of boyhood. How could there be such a place?

There seems to be a mystery to love connected, as Dante would have it, to that ‘which moves the sun and other stars.’

It is absurd. Yet it seems to be true.

 

In this book I will explore five themes which seem to create the contradictory spaces in which love is enacted

These themes are: 1) The delusions of gender; 2) Our discomfort in being embodied, and “thrown into life.” 3) Our desire to remain fixed within ourselves while yet feeling imprisoned in that self.  4) The mystery of how passion can vanish, reappear, and sometimes renew itself. 5) The vulnerability of love and the fear it evokes.

  • Gender: Our erotic lives are complicated and often spoiled by the belief that there is an essential difference between men and women. When we believe that we are defined by gender, rather than fundamentally human, relationships become opaque. For many men loving a woman is like keeping a cat. The feline and the feminine mind are unknowable, making deep emotional connection difficult and sometimes impossible.
  • The puzzle of the body: We are puzzled by the way in which our minds live through bodies. Some ancient philosophers believed that we can never feel completely at home in our own skin because we are spirits descended from the stars, and “thrown into life.” And while much of the time we are not aware of the seams and liminal zones of embodied life, sexual desire powerfully evokes it. In most languages the thing we do with the one we love is also a swear word.
  • Narcissism : We want to be entirely for our self, in our self. Yet at the same time we feel confined by that selfhood. We want to be a fortress defended against all demands, and yet escape isolation and imprisonment within that fortress. Though we might long to escape the endless, futile struggle to wrest the satisfaction of our desires from the world, we fear opening our hearts.
  • Love fades. Whether chocolate cake or kisses, whatever you experience again and again begins to fade. And yet, sometimes love seems able to renew itself. How is that done? Can you be “in love” with a partner in the same way that some aging artists continue to be delighted by their art? How do they do that?
  • We possess nothing: When you choose to love, you double your bet against loss and disappointment. It is hard enough to endure the uncertainty of our own lives, but when you love someone you double the ways in which you can be harmed: your lover may get sick, she may die, or she may decide she no longer loves you. How can we live with this? One might ask, ‘why don’t more people live alone and keep a cat’ (and, of course, some do).

 

Narrow Road to the Wild West

 

This journey began over 40 years ago as I was finishing a motorcycle tour of the west.  I was traveling over the Nebraska plains after touring for 3 weeks, most of the time alone. I pulled off the road, under a  blue sky dome surrounded by dry grazing land. All of a sudden, I felt an immense sadness, a sense of loss and emptiness. I was near tears and I had no idea why.

Years later, I thought I knew what had happened. During those weeks alone out in the open spaces of the west, I was away from everything that could remind me of who I thought I was. Many layers of my self had been dissolved through solitude and the vast western spaces. At the side of the road, I discovered there seemed to be nothing underneath. I had vaporized into the blueness like a brief summer rain, evaporating into the heat. There was no Thomas. I was an inert shell, sitting on a heap of metal and plastic by the side of a road. So, I sat for a very long time. After a while a few tears began to flow. I could not have said why. I was not feeling sorry for myself. But mostly I just sat, as if hypnotized by some angel Svengali. I could not move. Nothing had happened. I was empty.

In the end I managed to move a forefinger to push the starter button, I heard the bike come to life, the spell released me and I taxied back onto the roadway.

I had been keeping my self together in the previous days by mind tricks of counting the miles, worrying about changes in the engine sound, obsessing about gas mileage and conducting dialogues with imaginary foes or admirers; In the imaginary arguments that I always seemed close to winning, I found I had to start over again and again for reasons I did  not understand. The obsessive dialogue left a stale taste like working on a piece of chewing gum, long after the flavor was gone. But I could not stop.

I have always felt that I needed to revisit that moment by the side of the road in Nebraska. For one, I have a feeling that there might be more (and less) to me than there was then. I wondered what I would  encounter if  I went back out under the endless sky? -In the Australian aboriginal culture young men begin their life with a “walk about,” to test themselves and perhaps to find out ‘what is there’ when the reminders of familiar life are stripped away. Many Native American tribes sent young men out on vision quests, to a similar purpose. –

Is there a time when you are too old for a vision quest? I don’t know, but I wanted to go back on the road. I had gotten delayed by life.

“On my bike, the relationship between my tiny human self and the immense world around me is unmistakable. I dip down and across a gully and feel the air change from hot and dry toward cool and damp, and back again as I climb the other side. I watch storm clouds with particular attention and, in the process, notice subtle changes in the light as it is endlessly repainted by clouds and passing time. Road surfaces matter to me, oil patches, bits of loose gravel, potholes; so does traffic and other people’s road behavior. Biking is much more like the rest of my life than driving. In my life, with its loves and vulnerabilities and interruptions and occasionally well planned achievements, I get in trouble when I fantasize myself as a massive figure within a small frame of reference. I do better when I imagine myself as a durable real, attentive and supple traveler who needs the cooperation of the large universe of which I am a part. Biking, I suppose, especially because it is so fun, helps me to like being small in a large domain. it is one of my favorite ways to make myself present to God.” John M. Staudenmaier, S.J

There was a time when my daughter was very young and  I was sure I did not have a right to do any kind of touring until she had reached womanhood and was launched in life. I have always looked at fatherhood as being like a Tuskegee airman, flying escort as long as possible, then peeling off with a prayer and Godspeed.

I don’t exaggerate my importance as the first man in her life. I think of  fatherhood as a  poignant and absurd theatrical role.  -In order for a child to develop confidence in herself and the world around her, someone has to create an illusion of stability. Now, as with Santa Claus, it is not true that the world is safe and stable. But children need to be cocooned in love, myths and stories while they are knitting together the sinews and wings that will carry them into life.

If they are privileged to grow up with healthy delusions about Santa,  the Easter Bunny, and believing  that that the world can be safe,  it  becomes hard wired into the brain’s neural circuitry so that later in life when bad things happen, there will be  a loving quiet voice, that whispers “you will get through this.”

This is invaluable.

As my wonderful girl child has entered womanhood from time to time, we have conversations about her occasional self-doubt, questioning whether she can make it on her chosen path. Sometimes I say to her “you got into medical school. That didn’t come from a cereal box.”  But sometimes doesn’t feel grown up (which happens to most of us). So, I give her the good news and the bad news: there aren’t any grownups. At least not in the way we thought of them as children. There was a time when, like the Wizard of Oz,  I had to  seem  wise and powerful, because she needed that. But now she can see behind the curtain. In time I suspect she will take on the role of wizard with children of her own.

And so it goes.

Risk

Riding isn’t dangerous in the way that most people think it is. There is potential danger to riding but there is danger in riding in a car, using a chain saw or going out for breakfast. Every human life ends.

Certainly, in terms of percentages, more people are killed on motorcycles than in cars; and cars are very dangerous (38,000 lives taken per year). On a bike you must be relentlessly watchful of the condition of the road and the shape of each curve. The   baseline assumption needs to be that you are invisible to automobile drivers. This is strenuous.

And there is a level of skill required to ride safely that is a quantum level above that needed to drive.  Serious riders do parking lot drills to keep their braking and handling skills sharp. And since riding requires mindful attention, many of us don’t consume anything which dulls your mind until the day has ended (though a glance at tavern parking lots on summer afternoons will tell you this may  not be widely observed).

The wicked truth about riding a bike is that basic skills are easy to learn, and putting on speed takes almost no skill at all. But taking speed off requires a great deal of skill when it needs to be done quickly. Even negotiating a curve without running off the road requires experience and vigilance. Yet, strangely enough, over time it is easy to stop being mindful and begin to believe that you are an expert rider; though riding instructors say most people with ten years of riding experience have only one year repeated ten times.

But suppose someone (say, like myself) rides with full gear: suit, helmet, gloves and boots. Suppose they practice mindfulness, ride a machine suited to their age strength, and skills, and practice those skills regularly. And suppose they never ride at night or take a drink when riding.

Is such a person at greater risk than someone in a car? – I would argue that under normal conditions, there is some danger, but not so much. Skill, and mindful presence reduce the danger significantly (about 50% of motorcycle riding deaths are single vehicle events and involve alcohol).

But risks remain that cannot be reduced. These are the “black swans:” rare and random events which lie outside the probability curve. If a truckload of pigs falls off a viaduct, or a deer darts out on a narrow mountain road, you are better off in a Volvo. There is no doubt about that.

But one might argue that black swans occur everywhere, though infrequently. Even when driving a Volvo, if a drunk driver crosses the median it probably will not end well. The safest course for living is to stay home, have meals delivered, and watch Netflix.

But what kind of life is that?

The decision to get up in the morning and go for a cappuccino involves a cost benefit analysis.  You will be safer at home and have more money in your retirement account if you don’t go.  But perhaps there is really good coffee a mile up the road and there are outdoor tables where, on a sunny morning, you can read your paper. -There is risk in getting to the coffee bar by car, foot or bike. And black swans can visit there: deranged gunman, trucks losing their brakes, workers who have shown up to make your cappuccino carrying a deadly virus.

It is interesting how we manage to wander through life like the cartoon character Mr. Magoo, who was chronically nearsighted and oblivious to the dangers surrounding him (black swans and others).  For most people it is only when they board an airplane or go off to a wild place that, for a moment, they take in the ways in which their lives are grounded in uncertainty.

I suppose that one of the things which is alluring about riding is that each time I suit up for a ride I face the fact that I am not a permanent feature of the universe; I am placed precisely here on the time line of my life. The smell of cut grass or asphalt, the sparkle of the summer leaves make me feel like a space traveler just landed on this planet. What is this place?

 

 

On a long quiet prairie highway I park the bike at the side of the road  when my body like a querulous child finally demands it. “Now.” It says “you are here.”

In the silence I am cast up on the shore; clouds and sky and grass puzzling in their immediacy. I have as sense, almost, of being a space traveler who asks “what is this?” At that moment I realize that I do not yet know what “sky” or “grass” or “water” mean. I make a note in my notebook to return at some future date to further study the sample.

When you travel as an older man, you discover you cannot posit a series of practice runs that will, in time, produces understanding. You will not pass this way again.

The Sphinx arises in front of you again and again.  Each time you must answer truly or be devoured.  There is always something lost, dying on the side of the road.

it is hard to learn to live now.  -In my dreams I have often walked about as a prisoner in an empty, fearsome place, where each turning seems to conceal an indefinable danger.  I experienced need and desire as an infant knows hunger: wordless and urgent.

-And during daylight hours of working life, I was often unaware of the structure of my desires.  I feared them.  At times I resented being confined in the labyrinth of adult life. But semi-retired now, and set free, I  now seek labyrinths of my own construction.  I ride along western roads, my  mind restless, asking how many miles to the next town?

The motorcycle opens up land and sky; you can see the bones of the Earth and the sheer unimaginable sweep of time.  You are lost in trackless freedom. Where to sleep, where to stop?  If here, why here?  If I stop at this turn out, will I not need to stop there and there and there.  It would seem  that, again and again, the land lays claim to me .  This copse, this bit of sparkle, these mysterious waters. What then?  How do you choose?

How do you acquire the courage to live here rather than in some indefinable nowhere which self-hood requires?

Self-hood requires a backdrop, an observer and an actor.  A scene creates an  actor who is then observed by a ghost in the mind. But if  the scene is vast and sublime, self-hood begins to dissolve, struggling to revive itself. As you ride along, fantasy dramas and meaningless problem solving begin to engage your attention.

-When you ride through a scene your mind begins to spin a story.  The story and scene create edges to your awareness about what is me and what is not. The scene and actor then need an imagined audience to withstand  the vastness of the land. The gaze of the audience establishes contours and boundaries.

In contrast, when you engage something deeper through meditation or spiritual practice this particular flavor of me-ness loses its contours. Can you ride with a meditative mind.?

On some days its possible.

Into the Woods: On Spirit and Time

How was it possible for creatures of innocence to fall, as our first parents are said to have done? The persuasions of the serpent are so cynically conceived that it seems that  for Eve to have believed them, she must have “fallen” before it ever appeared; how could someone who had walked with God in the cool of the evening, believe it would be possible to become his equal by eating apples.

I believe the answer is that if our will is divided, if we are flawed, it is not be through paradise lost, but in creation itself needing to be completed through the acceptance of time, as Mother Eve did.

An eternal, deathless paradise cannot suffice for any sentient being. Without  time, and fertility, memory becomes as partial and unreliable as a dream. Though we may wish  for these gifts to be taken from us, what could a paradise be without them?

Eve took upon herself the choice which every one of her children has had to make: whether to be on the side of life, or perfection. Her choice was born of longing not defiance.

At times in the malevolent sparkle of the lakes as the sun goes down, in the leer of young men toward the women they wish to bed, in the hateful glitter of cities that look out on the world as through a million prismed insect eye, I wonder if we were not Satan made and God-tempted. Perhaps God came upon us in the guise of the serpent, tempting a race of insect people into time, splitting us out of a hard and glittering shell.

The Garden

Satan’s kingdom was replete with silent music compressed in a crystal sphere. The music formed an ever sweeter and deeper silence; in the same way that white light contains every color and yet appears colorless. It contained in itself every melody ever to be thought. Every sound made by every creature in the garden added its own richness to a harmony already complete in itself.

This was our first home. We were created by Satan out of that music of perceptible silence that, rested on a knife-edge between time and eternity. Adam and Eve were constructed by the Adversary  more bird than lizard, more insect than birds. He laughed to himself at this joke of his, a parody of the angel beauty that he had lost.

His two creatures had iridescent wings and were covered in living nacreous armor. His chest, her breast reflected a cold dazzling fire back to the sun. Her cleft, his crest were barbed chitinous things. Along their legs and the ridge of the back there were spines and feathers, each with a blue and green eye. When they spoke it was like the sound of  glass breaking. surrounding them always was a scent sharp and sweet; indescribable but somewhat like the taste of honey and cinnamon.

Their movements created a great symphony of iridescent  hues and outlines. And they lived solely for their voiceless song and sterile embrace, repeated without joy or weariness from morning till night.

Satan said, “Be timeless Eve” and thus God took upon Herself the role of a great tempter, lying in wait one night in the bottom of the garden while Satan lay sleeping inside a mirror. The lustrous snake came slithering on his belly, ‘For he so loved the world that he humbled himself.’

Among the sparkling gemstones God lay singing of time and remembrance and His song carried a simple sweet melody, which  Eve to her amazement heard with terror and wonder. “Cry only once Eve,” She said, “and your tears will explode this dome of glass.”

Looking into the serpent’s ancient eyes, listening to Her song, Eve began to weep. The shell and feathers split off her back and the first day began with a gentle rain and the sound of our mother weeping. Whether from regret or happiness, she could not have said. The gems fell into blossom. The sea found its voice in the fishes, the birds were spoken by the air. The Fire gave up insects and the earth heard the first animal cry. God looked upon Her work and saw it was good.

We came up the sea slug way. We have in our bodies tides and residues of everything that has ever lived. All the anger, the passions, the joys of the world enfold us. We are born entangled in a web, already a billion years old before we draw a single breath.

We can struggle against the web, evoke paradise and die, or see ourselves translucently. We are not divided but related, not flawed but overwhelmed with gifts.

To think that our original state was timeless, that only by fatal accident we were ensnared by death, is to cling to innocence in the face of overwhelming grace.

If God had wanted to make us single and entire in a flash of lightning, She would have done so. She made us as She did in the way She did as a testament, not sparing fertility or invention in the world. -How can we dream of a paradise?

We must seek a principle that gives and yet remains itself- a garden unwalled, yet ordered; a garden of unselfconscious delight.

But who can love and forgive all? Who can truly love both lions and lambs? Who can even heal the division between men and women? And yet these pitiful little walled gardens of philosophy and politics, of theology, of ideals, of hopes, are no answer. Though I do not know how, I want to remain faithful to Eve’s choice. I will not long for paradise and neither will I accept the world. I will suffer with it like a midwife waiting for something to be born; where everything hangs in the balance and only a very little can be done.